Showing posts with label decisive moment. Show all posts
Showing posts with label decisive moment. Show all posts

16 August, 2013

The Moment Decisive, or A Flight of Pigeons

Yesterday was a weird day.

To begin, as you may have seen from this blog, I have described myself as a "photojournalistic event documentary" photographer. What that means is I photograph events, but I don't ask for poses, or shenanigans, I wait and I watch and see what happens. Photographing events means there is often a lot of commotion, a lot of noise, and a lot of distraction. You can follow the distraction and get a lot of photos, but if you ignore it, and focus through the cacophony, you can get some pretty awesome stuff.

That is why I use the word "photojournalistic." I entertained the thought of being a photojournalist for a short time, until I actually had to do it. I had to find a piece of found news and I found a traffic collision. So I took photos and I took names and I watched as someone was placed into an ambulance and all the while all I could think of was how invasive I must be, how I was leeching off of their emotion and trying to make something for myself out of it. I didn't like it. Certainly, I could have found a happy moment, a joyful piece of found news, but that's what I found, and it made it clear what I wanted my photography to produce.

So back to yesterday.

The thing I will remember the most is the murmuration of  pigeons after the first loud pop. I didn't turn immediately, a bus had just passed, and noises and buses occur with such frequency around me, it didn't require any thought. But I turned as those around me, who had turned, were rapt with attention. And I saw a man, in the middle of the street, arm outstretched. And there was load pop. Whether my thoughts moved faster or the world moved slower, I immediately pulled out my dinky camera phone with the thought that "the best camera is the one you have on you." Well I had my SLR, I was photographing an event later that afternoon, but I reasoned that the camera phone would be less conspicuous, make me stand out less, be less of a target. The camera phone wouldn't switch on. Pop. Pop. Pop. I started to back away as others began to run. He started to run. I tried to dig out my SLR, the only thought being that I had the wrong lens, it wouldn't be long enough, it wouldn't be useful to the police. And then he was gone. And then  I saw the other two, running in the other direction. And then the police where there sprinting, moving on training and instinct. And I was left as so many others standing, as if nothing had happened at all. I thought about it then, about how much the lot of us were deer in the headlights, too curious for our own good, stuck in place as it happened. And so I went about my business. I gave my statement. I got lunch from a truck. I splurged and got a Mexican Pepsi. And a cupcake, though I always get a cupcake.

And the rest of the day continued as if nothing had happened. I received a text from a friend, who knew I was going to be getting lunch from a truck; who knew I would be there. We texted a little bit more, about speculation and stereotyping and came to the conclusion this was the Sharks and the Jets, if West Side Story were remade today. It's funny now because I was on the West Side of town, but only by a marginal delineation.

Regardless, the day continued. I helped at the event location a bit, setting tables and chairs. I like being helpful. I went to the record store next door and picked up a vinyl, and happened to snag the last wristband for a free show next week. We talked about film, and marriage, and whether Pluto was a planet or not and couldn't remember the words "Dwarf planet," which would have made for a some great Lord of the Rings jokes. I photographed the event, I helped clean up, and we had pizza and then I went home, and did the same stuff I do after every event: download, quick pass edit, backup.

So yesterday was weird, but normal. The normalcy of it all, the lack of panic, the lack of action could open a ton of discussion on media and desensitization of violence (I do love a good action movie), but it seems to me, looking at how I reacted and how I saw others react, we are simply curious beings and if something catches our eye, we want to see what it is, to decipher it, to understand it. Our flight or fight response has been dulled, because we are really our own enemy, and for the majority of us, we aren't hunted at all. But best to leave that discussion to another day.

 And of all the things that stand out, the flight of pigeons that followed that first pop, which isn't unusual, because I see them do that all the time without the sound.

And here are some photos for you, without the sound.






23 June, 2007

The Moment's Decision

I’ve spoken before about how I like “street photography” and capturing the “decisive moment.” First used by Henri Cartier-Bresson, the decisive moment is exactly what it sounds like, a moment in time where we are at the precipice of action. This is the moment that can occur in an instant and in that same instant be gone, so it is the trick of capturing it that makes street photography part art, part skill, and part luck. Sometimes it’s about being in the right place at the right time and others it’s about patience, and looking for people or places that will create the moment much later on. The prime example is children, and I apologize for sounding quite despicable, but just watch children play on the playground. Untroubled by the world around them, they embrace the here and now and do what they do.

The example I came across was a promotion for Cirque du Soleil down in Denver. Theatre Mama was promoting the opening of Corteo and unleashed the Angels in Action. Throughout the day, these angels had fun, made noise, and quite simply, enjoyed their job. From playing leapfrog in the streets to swinging from poles, they got people to look. Each of the following images was completely unposed. I simply watched them, and at times waited for them, do what they had to. Sure, a couple asked me if I wanted them to do anything in particular, but I said “no.” Street photography is photojournalism: completely unrehearsed and uncontrollable…to an extent. Instead of creating the composition, the street photographer has to look for the composition to present itself. Color, shape, pose, lighting, is all done in reaction to the moment. The trick to being a good street photographer is to find all of this.

I hadn’t done street photography in quite a while and I had forgotten how much I enjoyed it. This is one direction I would like to take my photography. I’ve done a fair amount with my involvement with Kiwanis and Circle K International, but one can always do more. The street is always there and people will always be out there.

PS: If you happen to know any of the angels, let me know. I’d like to share my images with them as well as all of you.







25 May, 2007

A Little Bit of Information

I am very happy to announce that I am now a part of a limited gallery showing. "Curiosity" is on display at the John A. Jellico Gallery at the Art Institute of Colorado. I spoke last about high and low risk shots and how some very simple shots that look like they were thrown together in five minutes actually take several hours. "Curiosity" is completely the opposite: it was shot in under five seconds (cats are fast). It was very much a right place at the right time.


I do like this style of photography, much more photodocumentary or photojournalism, but I find that it is a lot harder than one thinks it is. Studio work is something you know when you get up in the morning you can walk out with a great shot. The "decisive moment" shots are very much you wake up and hope you can get one out of maybe a thousand shots. It takes a while to learn patterns, to look out for the moment before the moment and then to capture it with the same feeling as when you see it. I need more practice, and I hate to make excuses, but much of my work in studio does keep me from just walking out the door and seeing what we see. We'll try and get out more.



"Information"

Special thanks to Beth and Lisa, who cheerfully answered my questions as I learned to be a photojournalist.